Seymour Krelborn's descent into madness in Little Shop of Horrors is arguably the show's most captivating element. His iconic monologue, "Feed Me," isn't just a song; it's a chilling portrayal of obsession, desperation, and the terrifying consequences of unchecked ambition. This exploration delves into the monologue's power, analyzing its thematic depth and considering its impact within the broader context of the musical.
What Makes Seymour's Monologue So Powerful?
The monologue's power lies in its gradual escalation. It begins with Seymour's almost childlike wonder at Audrey II's growth, a naive excitement that quickly transforms into a desperate plea, then into a chilling acceptance of his plant's monstrous demands. This carefully crafted progression perfectly encapsulates Seymour's psychological journey from innocent plant-owner to accomplice in murder. The music underscores this transformation, starting with a gentle melody that slowly morphs into a darker, more sinister tune. The lyrics themselves are cleverly ambiguous, blurring the lines between Seymour's affection for Audrey and his morbid obedience to the plant.
What are Seymour's motivations throughout the monologue?
Seymour's motivations are complex and interwoven. Initially, his desire to impress Audrey drives his actions. He believes that catering to Audrey II's insatiable hunger will lead to his financial success, enabling him to win Audrey's heart. However, as the monologue progresses, his motivations shift. The plant's influence becomes undeniable, and Seymour's actions become less about Audrey and more about appeasing the increasingly demanding creature that controls his life. His initial hope transforms into fear, and finally, a chilling resignation to his fate.
What does Seymour mean when he says, "It's so beautiful..."?
Seymour's description of Audrey II as "beautiful" is a crucial point of the monologue. It reveals the insidious power the plant holds over him. He's not just physically captivated by the plant's vibrant colors and unusual nature; he's emotionally and psychologically drawn to its power. The "beauty" he sees is intertwined with the plant's ability to fulfill his deepest desires, creating a disturbingly co-dependent relationship. This twisted perception of beauty underscores the seductive nature of unchecked ambition and the dangers of ignoring moral boundaries in the pursuit of success.
How does the monologue reflect Seymour's relationship with Audrey?
Seymour's desperate attempts to please Audrey II are directly linked to his yearning for Audrey. The plant becomes a symbol of his desires—a shortcut to the love and acceptance he craves. His actions regarding the plant indirectly demonstrate his own insecurities and his willingness to sacrifice anything to achieve his goal of winning Audrey over. The irony is that while he believes he's acting out of love for Audrey, his actions ultimately drive him further away from her, highlighting the destructive nature of his obsession.
Is Seymour a victim or a villain?
This is a question the monologue leaves deliberately ambiguous. Seymour is certainly a victim of circumstance, manipulated by a malevolent plant. However, he also actively participates in the gruesome acts required to keep the plant alive. His complicity in the murders transforms him into something of a villain, even if his initial intentions were innocent. The monologue itself avoids assigning a simple label, leaving the audience to grapple with Seymour's complex morality.
The Lasting Impact of the Monologue
The "Feed Me" monologue remains iconic due to its masterful blend of music, lyrics, and character development. It showcases the show's exploration of dark themes through the lens of a relatable, albeit flawed, protagonist. It serves as a chilling reminder of the dangerous consequences of unchecked ambition, the seductive power of obsession, and the blurry line between victim and perpetrator. The monologue's impact is lasting because it transcends the stage, echoing themes that resonate with audiences long after the curtain falls.
